BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Expo156 - ECPv6.15.20//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://expo156.com X-WR-CALDESC:Events for Expo156 REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20200101T000000 END:STANDARD END:VTIMEZONE BEGIN:VTIMEZONE TZID:Europe/Paris BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20231029T010000 END:STANDARD END:VTIMEZONE BEGIN:VTIMEZONE TZID:Asia/Tokyo BEGIN:STANDARD TZOFFSETFROM:+0900 TZOFFSETTO:+0900 TZNAME:JST DTSTART:20210101T000000 END:STANDARD END:VTIMEZONE BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20210314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20211107T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20220313T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20221106T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20230312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20231105T060000 END:STANDARD END:VTIMEZONE BEGIN:VTIMEZONE TZID:Europe/Moscow BEGIN:STANDARD TZOFFSETFROM:+0300 TZOFFSETTO:+0300 TZNAME:MSK DTSTART:20200101T000000 END:STANDARD END:VTIMEZONE BEGIN:VTIMEZONE TZID:Europe/Helsinki BEGIN:DAYLIGHT TZOFFSETFROM:+0200 TZOFFSETTO:+0300 TZNAME:EEST DTSTART:20200329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0300 TZOFFSETTO:+0200 TZNAME:EET DTSTART:20201025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0200 TZOFFSETTO:+0300 TZNAME:EEST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0300 TZOFFSETTO:+0200 TZNAME:EET DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0200 TZOFFSETTO:+0300 TZNAME:EEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0300 TZOFFSETTO:+0200 TZNAME:EET DTSTART:20221030T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=UTC:20220525T000000 DTEND;TZID=UTC:20220718T235959 DTSTAMP:20260426T011838 CREATED:20220601T135126Z LAST-MODIFIED:20220601T182238Z UID:3045-1653436800-1658188799@expo156.com SUMMARY:Cosmogonias DESCRIPTION:Avec Marie-Sarah Adenis\, Jean-François Krebs et Valentin Ranger \n\n\n\nLa suite du cycle d’expositions LA CONSTRUCTION DU CHAMP se développe cette année en trois temps : saisir\, agencer et réintégrer. Après LA MATIÈRE DU MONDE\, la Galerie municipale Jean-Collet présente COSMOGONIAS \n\n\n\nDans cette exposition\, les artistes créent de nouveaux récits du monde. Ils réarticulent les narrations du possible\, ouvrent des chemins et réactualisent les liens entre la matière et le vivant. Des énergies traversent et relient “l’autre” ; le désir et l’esprit mettent en relation des parties du réel jusqu’alors séparées\, élargissant le champ du vivant et développant des écosystèmes. D’une soupe primitive\, les mondes s’agencent\, se tissent ; les fils de chaîne et la trame du vivant sont à l’ouvrage. Dans les ateliers du vivant\, les esquisses de nouveaux projets se dessinent. \n\n\n\nVernissage le mercredi 25 mai 2022 à 18hExposition visible du mercredi 25 mai au dimanche 10 juillet 2022Entrée libre du mardi au vendredi de 13h30 à 18h et le mercredi de 10h à12h et de 13h30 à 18h \n\n\n\n\n\n\n\nVisuel : Valentin Ranger\, Prélude à Genesexus. Chant XY.1 : la déconfiguration de Vesale Vitruvio\, 2021\, Film 3D\, 30”. Composition sonore : Inès Chérifi. URL:https://expo156.com/event/cosmogonias/ LOCATION:Galerie Municipale Jean Collet\, 59\, avenue Guy Môquet\, Vitry-sur-Seine\, 94400\, France ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2022/06/GENESEXUS_Depliant-compressed-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20220518T000000 DTEND;TZID=UTC:20220619T235959 DTSTAMP:20260426T011838 CREATED:20220601T133828Z LAST-MODIFIED:20220606T101703Z UID:3037-1652832000-1655683199@expo156.com SUMMARY:PROTEGO MAXIMA - FLORYAN VARENNES DESCRIPTION:Artist : Floryan Varennes \n\n\n\nFR \n\n\n\nPlasticien et médiéviste français\, Floryan Varennes est invité à présenter une installation au Pavillon Southway. À la source de sa réflexion et de sa pratique\, il déconstruit et entrelace deux registres chronologiques opposés : l’histoire médiévale et les futurs science-fictionnels. Protego Maxima est une incantation qui préfigure ses dernières recherches sur la vulnérabilité\, la violence\, l’amour\, l’attente mais aussi la guérison. \n\n\n\nEN \n\n\n\nFrench visual artist and medievalist Floryan Varennes has been invited to present an installation at the Southway Pavilion. At the source of his thinking and practice\, he deconstructs and interweaves two opposing chronological registers: medieval history and science fictional futures. Protego Maxima is an incantation that prefigures his latest research on vulnerability\, violence\, love\, expectation and healing. \n\n\n\nSur rendez-vous du lundi au vendredi\, de 11h à 18h. \n\n\n\nBy appointment from Monday to Friday\, from 11am to 6pm. \n\n\n\nMeeting / Talk on June 07 6pm – 8pm \n\n\n\n\n\n\n\nImage credit: Protego Maxima © Floryan Varennes & Cami Sophie @chochinbi URL:https://expo156.com/event/protego-maxima-floryan-varennes-2/ LOCATION:Southway Studio\, 433 Boulevard Michelet\, Marseille\, 13009\, France ATTACH;FMTTYPE=image/png:https://expo156.com/wp-content/uploads/2022/06/Floryan.png ORGANIZER;CN="Southway Studio":MAILTO:hello@southwaystudio.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20220428T000000 DTEND;TZID=UTC:20220625T235959 DTSTAMP:20260426T011838 CREATED:20220609T072446Z LAST-MODIFIED:20220609T072448Z UID:3086-1651104000-1656201599@expo156.com SUMMARY:Tactiques du rêve augmenté DESCRIPTION:Dans la continuité du cycle “Matters of Concern | Matières à panser“\, la Fondation d’entreprise Hermès et le commissaire Guillaume Désanges présentent « Tactiques du rêve augmenté »\, une exposition collective qui rassemble quinze artistes à La Verrière\, espace bruxellois de la Fondation d’entreprise Hermès\, du 28 avril au 25 juin 2022. \n\n\n\nL’exposition collective “Tactiques du rêve augmenté“ prolonge et dévie à la fois la réflexion écologique élargie entamée par le cycle “Matters of concern | Matières à panser“ à La Verrière depuis 2019\, en l’emmenant du côté de la spéculation\, de l’anticipation\, de la science-fiction et des nouveaux récits\, à inventer et partager. En accord avec l’esprit artisanal et matériel qui a présidé à cette programmation\, il ne s’agit pas pour autant de remplacer des formes par des histoires ou des théories\, mais plutôt de montrer comment des fictions spéculatives animent secrètement des objets artistiques qui ne sont pas directement discursifs. L’exposition associe une jeune génération d’artistes\, dont c’est parfois la première présentation à Bruxelles\, avec quelques figures plus reconnues. \n\n\n\nAvec : Alex Ayed\, Pierre Huyghe\, Roy Köhnke\, Tarek Lakhrissi\, Luz de Amor\, Set Chevallier & Chloé Van Oost\, Marine Forestier\, moilesautresart et Astrid Vandercamere (La Satellite)\, Marie-Claire Messouma Manlanbien\, Paul Thek et Suzanne Treister. \n\n\n\nExposition du 28 avril au 25 juin 2022Visite commentée chaque samedi à 15h (sans réservations)Commissariat : Guillaume Désanges•Following on from the series “Matters of Concern | Matières à panser”\, the Fondation d’entreprise Hermès and the curator Guillaume Désanges present “Tactics of Augmented Dreams”\, a group exhibition by fifteen artists at La Verrière\, the Brussels art space of the Fondation d’entreprise Hermès\, from April 28 to June 25\, 2022. \n\n\n\n“Tactics of Augmented Dreams” is an extension and redirection of the broad\, ecological themes explored in “Matters of concern | Matières à panser” at La Verrière since 2019. The new show presents speculative\, future-facing work\, science fiction\, and new narratives to be invented and shared. In keeping with the emphasis on artisanship and materiality in the preceding series\, “Tactics of Augmented Dreams” does not set out to replace forms with stories or theories\, but rather to show how speculative fiction can be a secret\, animating force in art objects that are not directly discursive. The exhibition brings together a young generation of artists\, some of who are exhibiting in Brussels for the first time\, and a handful of more established figures. \n\n\n\nWith : Alex Ayed\, Pierre Huyghe\, Roy Köhnke\, Tarek Lakhrissi\, Luz de Amor\, Set Chevallier & Chloé Van Oost\, Marine Forestier\, moilesautresart et Astrid Vandercamere (La Satellite)\, Marie-Claire Messouma Manlanbien\, Paul Thek et Suzanne Treister. \n\n\n\nExhibition from April 28 to June 25\, 2022.Guided visits every Saturday at 3 p.m. (without reservations)Curated by Guillaume Désanges \n\n\n\nCredit image: La Satellite\, Vermillis Spontaneuse en milieu tourbeux-bitumé\, 2022\, Installation\, 90x300cm // Photo: Isabelle Arthuis URL:https://expo156.com/event/tactiques-du-reve-augmente/ LOCATION:La Verrière\, Boulevard de Waterloo\, 50\, Bruxelles\, 1000\, Belgium ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2022/06/la-Satellite-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20220225T220000 DTEND;TZID=UTC:20220226T050000 DTSTAMP:20260426T011838 CREATED:20220221T162217Z LAST-MODIFIED:20220221T162217Z UID:2939-1645826400-1645851600@expo156.com SUMMARY:Few Tips - Jeanne x Funest x Agôn DESCRIPTION:🚦Get ready for 6 hrs of music accross a wide electronic dance spectrum with the following wizards: \n\n\n\n🤖 @jeanne_dnry knows how to trigger a riot in 4 tracks ! Inexhaustible digger of punches all generations included\, she will take care of a closing without complex somewhere between Rai\, Grime\, Trance & Future Bass \n\n\n\n🦝 @dj.funest ‘s research around massive percussions & loose breaks have conquered more than one floor in our regions. Find his latest appearance on the Bass Society show on Rinse France. \n\n\n\n🔪Producer\, DJ and founder of the collective\, @agonsound multiplies sonic operations on radios like @rinsefrance@radiocampusparis or in venues like the @glazartparisHis Club Music sets can flirt between UK Garage\, Ghettotech\, Drill & Jungle\, looking for the perfect mashups that make you sweat ecstatically 🥁 \n\n\n\n🐙 Visuals 👩‍🎨@talking.shell is a plastician artist crossing natural elements with futuristic aesthetics in her works like masks/AR filters or creative jewelry. This visualis a kind of spectral interpretation of her in-the-making wearable structure 👩‍🏭Check her other page @magma.seed \n\n\n\n25th february\, see you there ! URL:https://expo156.com/event/few-tips-jeanne-x-funest-x-agon/ LOCATION:L’Alimentation Générale\, 64 rue Jean-Pierre Timbaud\, Paris\, 75011\, France ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2022/02/FEWTIPS-1.2.1.4.jpg ORGANIZER;CN="Few Tips":MAILTO:fewtipstoheal@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20220204T000000 DTEND;TZID=UTC:20220317T235959 DTSTAMP:20260426T011838 CREATED:20220225T150448Z LAST-MODIFIED:20220225T150449Z UID:2952-1643932800-1647561599@expo156.com SUMMARY:Laila Majid + Louis Blue Newby - not yet DESCRIPTION:San Mei Gallery is pleased to present a new body of moving image and print-based works by Laila Majid and Louis Blue Newby. \n\n\n\nTheir collaborative practice seeks to unlock a slippery and unbounded visual language\, one that attempts to defy categorisation. The peripheral bodies and slimy liminal spaces present within their work signifies a rejection of the here and now and points towards the reimagined potential of the not yet.  \n\n\n\nAt the core of this work is a reimagining of the comic hero Swamp Thing\, here read as a vessel for envisaging new and radical modes of collectivity. The artists interest in this character stems from the notion that its physical form is rendered fluid— enmeshed within the biologically diverse space of the swamp. The exhibition explores this atypical and interconnected body as a site of potential transformation\, echoing the themes of connection that are held at the core of Majid and Newby’s collective practice.   \n\n\n\nThe moving image work south florida sky presents two distinct yet connected sequences. The first animated sequence\, produced alongside illustrator Alice Bloomfield\, breathes life into a found comic frame. Whilst an homage to the hand-drawn context of the comic strip\, this new rendering provides a queered unravelling of the character\, and can be recognised as an act of disidentification\, opening up the swamp as a queered site of interconnectivity.   \n\n\n\nThe second sequence\, which uses GAN generated imagery produced in collaboration with Elliot Elder\, envisages a new space\, one in a constant state of relation. Produced by feeding a neural network hundreds of images of the Swamp Thing\, swamps and fluid organic structures such as slime moulds and fungus\, the software then constructs its own images in response to this dataset.   \n\n\n\nBoth these sequences\, produced initially by digital means\, were then captured using a 16mm camera with the aim being to embody José Esteban Muñoz’s call for utopian performativity\, ‘a conjuring of both future and past to critique presentness.’ The interplay between the textures of these digital and analogue processes allows access to a new and unrecognisable visual language. The sound design\, produced by musician Jennifer Walton alongside musician Dan S Evans\, adopts a similar structure\, using both digital and analogue forms of sound manipulation to create a soundscape for the visuals. The script\, appearing as subtitles in the work\, is formed by found phrases\, reconfigured by the artists to construct a new narrative that pushes the notions of desire\, collectivity and transformation. In keeping with the potentiality of the ‘not yet’\, the video sequences exhibited here are due to become part of a larger moving image project later this year.   \n\n\n\nThrough the inclusion of a variety of artists\, performers and practitioners\, Majid and Newby seek to construct an exciting network of queered collectivity. For the artists\, the expanding legacy of an outward-reaching practice carries the conceptual interests of the work\, reinforcing the sense of collectivity that the video treatments and characters attempt to portray.   \n\n\n\nThe themes and processes prevalent throughout the moving image can equally be seen across the print-based work within the gallery space. Using mostly found imagery\, Majid and Newby’s prints open up the murky and unbounded space that exists between images. Combining the rich textures of high-quality scans with the smoothness of low-quality images mined from the internet\, the work often takes on a shifting and challenging surface. A similar tension arises when considering the different peripheral spaces in which the artists find their images from fetish and erotic subcultures\, cult cinema\, online forums\, to zoological journals\, comics and speculative fiction.   \n\n\n\nThis exhibition is kindly supported by the Elephant Trust and Omni Colour.  \n\n\n\nArtist biographies\n\n\n\nRecent solo shows in Laila Majid and Louis Blue Newby’s collaborative practice include healthy pink (2020)\, springseason\, London\, and hold my hand by the tail (2019)\, Transition Two\, London. Their work has also been featured in group exhibitions including Sour Persimmons Chasm (2019)\, Ex Baldessarre\, curated by Andy Holden\, and Hydrangea (2019)\, Underground Flower\, Nakhon Ratchasima. Upcoming exhibitions include a solo presentation at Xxijra Hii\, London in August 2022. In 2020\, they were awarded funding for an ongoing video and prints project by the Elephant Trust\, and recently received the Omni Colour Artists Award (2021).  \n\n\n\nLaila Majid has also recently shown work as part of group shows Nude\, at Fotografiska in Stockholm (2021) and THEN OUTSIDE FROM NOW INSIDE (2018) at Chaos Magic Space in Nottingham. This year\, she was selected for Bloomberg New Contemporaries\, in which she exhibited work at Firstsite\, Colchester and South London Gallery. She graduated from her MA at the Slade School of Fine Art earlier this year\, and is currently studying towards an MSt in Film Aesthetics at the University of Oxford. \n\n\n\nLouis Blue Newby has also exhibited video work in the Hastings Coastal Currents Festival (2018)\, selected by Becky Beasley\, as well as exhibiting at Lewisham Art House where he was shortlisted for their Graduate Studio Award in 2018. In 2019 he was selected for Bloomberg New Contemporaries\, where he exhibited at Leeds Art Gallery and South London Gallery. Last year he exhibited as part of the Shape Open 2021: All Bound Together. He is currently in the second year of his MA at the Slade School of Fine Art.  URL:https://expo156.com/event/laila-majid-louis-blue-newby-not-yet/ LOCATION:San Mei Gallery\, 39a Loughborough Rd\, London\, SW9 7TB\, United Kingdom ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2022/02/271938398_3329777000579674_682409574278101444_n.2.jpg ORGANIZER;CN="San Mei Gallery":MAILTO:info@sanmeigallery.co.uk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20220204T000000 DTEND;TZID=Europe/Paris:20220407T235959 DTSTAMP:20260426T011838 CREATED:20220204T143429Z LAST-MODIFIED:20220204T214542Z UID:2895-1643932800-1649375999@expo156.com SUMMARY:Naïa Combary - Time Doesn't Exist DESCRIPTION:𝗤𝘂𝗲𝗹𝗾𝘂𝗲 𝗰𝗵𝗼𝘀𝗲 𝘃𝗼𝘂𝘀 𝗿𝗲́𝘃𝗲𝗶𝗹𝗹𝗲 𝗹𝗮 𝗻𝘂𝗶𝘁\, \n\n\n\n𝗨𝗻𝗲 𝘀𝗶𝗹𝗵𝗼𝘂𝗲𝘁𝘁𝗲 𝗱𝗲 𝗠𝗮𝗹𝗶𝗻 𝗲𝘀𝘁 𝗮𝘂 𝗽𝗶𝗲𝗱 𝗱𝗲 𝘃𝗼𝘁𝗿𝗲 𝗹𝗶𝘁. \n\n\n\n𝗨𝗻𝗲 𝗳𝗶𝗹𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗹𝘂𝗰𝗶𝗱𝗲 𝘃𝗼𝗶𝘁 𝗱𝗲𝘀 𝗹𝘂𝗺𝗶𝗲̀𝗿𝗲𝘀\, \n\n\n\n𝗗𝗲𝘀 𝗰𝗹𝗲́𝘀 𝗱𝗲́𝗹𝗶𝘃𝗿𝗲𝗻𝘁 𝗹𝗮 𝗽𝗮𝗿𝗼𝗹𝗲. \n\n\n\n𝗗𝗲𝘀 𝗰𝗲𝗿𝗰𝗹𝗲𝘀 𝘀’𝗮𝗰𝘁𝗶𝘃𝗲𝗻𝘁\, \n\n\n\n𝗨𝗻 𝗰𝗼𝗹𝗹𝗶𝗲𝗿 𝘃𝗼𝘂𝘀 𝗽𝗿𝗼𝘁𝗲̀𝗴𝗲\, \n\n\n\n𝗗𝗲 𝗹𝗮 𝗳𝘂𝗺𝗲́𝗲 𝗰𝗵𝗮𝗻𝘁𝗲 𝗱𝘂 𝗕𝗿𝗶𝘁𝗻𝗲𝘆 𝗦𝗽𝗲𝗮𝗿𝘀. \n\n\n\n𝗨𝗻𝗲 𝗳𝗼𝗻𝘁𝗮𝗶𝗻𝗲 𝘃𝗼𝘂𝘀 𝗳𝗮𝗶𝘁 𝘃𝗼𝘆𝗮𝗴𝗲𝗿 𝗱𝗮𝗻𝘀 𝗹𝗲 𝘁𝗲𝗺𝗽𝘀\, \n\n\n\n𝗡𝗼𝗻\, 𝘃𝗼𝘂𝘀 𝗻𝗲 𝗱𝗼𝗿𝗺𝗲𝘇 𝗽𝗮𝘀   \n\n\n\n\n\n\n\n« 𝑁𝑎𝑖̈𝑎 𝐶𝑜𝑚𝑏𝑎𝑟𝑦 𝑒𝑠𝑡 𝑢𝑛𝑒 𝑟𝑒́𝑎𝑙𝑖𝑠𝑎𝑡𝑟𝑖𝑐𝑒 𝑒𝑡 𝑢𝑛𝑒 𝑎𝑟𝑡𝑖𝑠𝑡𝑒 𝑝𝑙𝑢𝑟𝑖𝑑𝑖𝑠𝑐𝑖𝑝𝑙𝑖𝑛𝑎𝑖𝑟𝑒 𝑑𝑖𝑝𝑙𝑜̂𝑚𝑒́𝑒 𝑑𝑒𝑠 𝐴𝑟𝑡𝑠 𝐷𝑒́𝑐𝑜𝑟𝑎𝑡𝑖𝑓𝑠 𝑑𝑒 𝑃𝑎𝑟𝑖𝑠. 𝑆𝑜𝑛 𝑡𝑟𝑎𝑣𝑎𝑖𝑙 𝑐𝑜𝑛𝑠𝑖𝑠𝑡𝑒 𝑎̀ 𝑓𝑎𝑖𝑟𝑒 𝑑𝑒 𝑙𝑎 𝑚𝑎𝑔𝑖𝑒 𝑎̀ 𝑡𝑟𝑎𝑣𝑒𝑟𝑠 𝑑𝑖𝑣𝑒𝑟𝑠 𝑚𝑒́𝑑𝑖𝑢𝑚𝑠; 𝑒𝑙𝑙𝑒 𝑒𝑥𝑝𝑙𝑜𝑟𝑒 𝑑𝑒𝑠 𝑛𝑜𝑡𝑖𝑜𝑛𝑠 𝑐𝑜𝑚𝑚𝑒 𝑙𝑒 𝑟𝑖𝑡𝑢𝑒𝑙\, 𝑙𝑎 𝑠𝑝𝑖𝑟𝑖𝑡𝑢𝑎𝑙𝑖𝑡𝑒́\, 𝑙𝑒 𝑟𝑎𝑝𝑝𝑜𝑟𝑡 𝑎𝑢 𝑡𝑒𝑚𝑝𝑠 𝑒𝑡 𝑎𝑢𝑥 𝑒́𝑙𝑒́𝑚𝑒𝑛𝑡𝑠.𝐿𝑒 𝑚𝑜𝑛𝑑𝑒 𝑟𝑒́𝑒𝑙 𝑒𝑡 𝑙𝑒 𝑚𝑜𝑛𝑑𝑒 𝑣𝑖𝑟𝑡𝑢𝑒𝑙 𝑠’𝑒𝑛𝑡𝑟𝑒𝑐ℎ𝑜𝑞𝑢𝑒𝑛𝑡 𝑒𝑡 𝑠’𝑒𝑛𝑡𝑟𝑒𝑚𝑒̂𝑙𝑒𝑛𝑡\, 𝑝𝑜𝑢𝑟 𝑑𝑒́𝑙𝑖𝑣𝑟𝑒𝑟 𝑙𝑎 𝑣𝑖𝑠𝑖𝑜𝑛 𝑑’𝑢𝑛 𝑓𝑒́𝑚𝑖𝑛𝑖𝑠𝑚𝑒 𝑚𝑎𝑔𝑖𝑞𝑢𝑒 𝑒𝑡 𝑝𝑠𝑦𝑐ℎ𝑒́𝑑𝑒́𝑙𝑖𝑞𝑢𝑒\, 𝑒𝑛 𝑙𝑖𝑒𝑛 𝑎𝑣𝑒𝑐 𝑙𝑎 𝑛𝑎𝑡𝑢𝑟𝑒\, 𝑙𝑒𝑠 𝑒́𝑙𝑒́𝑚𝑒𝑛𝑡𝑠 𝑒𝑡 𝑙𝑒𝑠 𝑒́𝑚𝑜𝑡𝑖𝑜𝑛𝑠. 𝐷’𝑢𝑛 𝑛𝑎𝑡𝑢𝑟𝑒𝑙 𝑎𝑟𝑡𝑖𝑓𝑖𝑐𝑖𝑒𝑙.𝑆𝑜𝑛 𝑡𝑟𝑎𝑣𝑎𝑖𝑙 𝑝𝑟𝑒𝑛𝑑 𝑠𝑎 𝑠𝑜𝑢𝑟𝑐𝑒 𝑑𝑎𝑛𝑠 𝑝𝑙𝑢𝑠𝑖𝑒𝑢𝑟𝑠 𝑡𝑒𝑐ℎ𝑛𝑖𝑞𝑢𝑒𝑠 𝑒𝑡 𝑝𝑟𝑎𝑡𝑖𝑞𝑢𝑒𝑠 𝑐𝑜𝑚𝑚𝑒 𝑙𝑎 𝑝𝑒𝑖𝑛𝑡𝑢𝑟𝑒\, 𝑙𝑎 𝑟𝑒́𝑎𝑙𝑖𝑡𝑒́ 𝑣𝑖𝑟𝑡𝑢𝑒𝑙𝑙𝑒\, 𝑙𝑒 𝑐𝑖𝑛𝑒́𝑚𝑎\, 𝑇𝑖𝑘𝑡𝑜𝑘\, 𝑙𝑎 𝑚𝑢𝑠𝑖𝑞𝑢𝑒\, 𝑙𝑎 𝑝𝑜𝑝 𝑐𝑢𝑙𝑡𝑢𝑟𝑒\, 𝑙𝑎 𝑠𝑜𝑟𝑐𝑒𝑙𝑙𝑒𝑟𝑖𝑒 𝑒𝑡 𝑙𝑒𝑠 𝑛𝑜𝑢𝑣𝑒𝑙𝑙𝑒𝑠 𝑡𝑒𝑐ℎ𝑛𝑜𝑙𝑜𝑔𝑖𝑒𝑠. 𝐸𝑙𝑙𝑒 𝑟𝑒́𝑎𝑙𝑖𝑠𝑒 𝑑𝑒𝑠 𝑖𝑚𝑎𝑔𝑒𝑠 𝑒́𝑛𝑖𝑔𝑚𝑎𝑡𝑖𝑞𝑢𝑒𝑠 𝑞𝑢𝑖 𝑒́𝑣𝑜𝑞𝑢𝑒𝑛𝑡 𝑑𝑒𝑠 ℎ𝑎𝑙𝑙𝑢𝑐𝑖𝑛𝑎𝑡𝑖𝑜𝑛𝑠\, 𝑒𝑡 𝑓𝑎𝑏𝑟𝑖𝑞𝑢𝑒 𝑑𝑒𝑠 𝑐𝑙𝑒́𝑠 𝑒𝑡 𝑎𝑢𝑡𝑟𝑒𝑠 𝑜𝑏𝑗𝑒𝑡𝑠 𝑠𝑦𝑚𝑏𝑜𝑙𝑖𝑞𝑢𝑒𝑠 𝑞𝑢𝑖 𝑙𝑖𝑏𝑒̀𝑟𝑒𝑛𝑡 𝑙𝑒𝑠 𝑒́𝑚𝑜𝑡𝑖𝑜𝑛𝑠.» URL:https://expo156.com/event/naia-combary-times-doesnt-exist/ LOCATION:ASKIP\, 2 Allée Frida Kahlo\, Nantes\, 44200\, France ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2022/02/view.jpg ORGANIZER;CN="ASKIP":MAILTO:askipgalerie@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20220203T000000 DTEND;TZID=UTC:20220227T235959 DTSTAMP:20260426T011838 CREATED:20220204T145817Z LAST-MODIFIED:20220204T145819Z UID:2907-1643846400-1646006399@expo156.com SUMMARY:A Single Violet Transplant DESCRIPTION:Entre toi et moi\, nous savons très bien que c’est une bien plus grande traversée du désert que celle que l’on nous porte à croire. Toi tu as planté un grand pré vénéneux\, cerné de violet et de crachats au sol. Tu es aussi la mère de chaque fleur que l’on croise sur ce parterre contaminé. \n\n\n\nLorsque je te demande pourquoi tu as choisi cette couleur\, tu me réponds que ce n’est même pas une couleur primaire et que de ce fait cette couleur on ne la retrouve pas souvent dans la nature. Tu as choisi le violet car c’est une couleur en marge de l’arc-en-ciel\, ça me fait penser à nous. Tu m’expliques que l’image est plus forte que le langage\, c’est vrai pour toi qui parles avec les libellules et les abeilles. On entend les rumeurs électriques de chaque insecte\, les mêmes que celles des soudures sur le métal. Les chutes et les aspirations des architectures en ruines\, le bruit des rails qui tente de vous prévenir. \n\n\n\nTu m’expliques que le rêve de chaque artiste c’est de créer quelque chose qui change la manière de fonctionner de quelqu’un\, j’en suis intimement convaincue. Tu connais tes œuvres seulement dans tes rêves et pourtant tu sais qu’elles verront le jour. \n\n\n\nCe sont tes filles et tes cheveux blancs\, ce sont des grands cris étouffés de douleur. Ce sont les orties qui poussent aux pieds des grands terrains vagues près des logements sociaux. \n\n\n\nTu as les mains sales à cause de la cire et du plâtre\, et tu laisses traîner tes chaussures. Mais les spectres d’hier tu les remplaces un à un. Tu regardes la pluie te laver les mains\, tu sais que grâce à ton travail tout sera clair\, que les barrières d’acier commencent déjà à se faire ronger par la cire molle. Aucun miracle seulement des pas les uns après les autres. Les battements des ailes des papillons gynandromorphes qui lavent l’air vicieux que les hommes crachent. \n\n\n\nJe reçois une photographie d’une greffe de cœur\, un cœur qui continue de battre dans une petite boîte en plastique. Après cette opération\, le corps continue de fonctionner mais il fonctionne différemment. Tu continuais de me parler de cette image d’une greffe violette\, tu n’a même pas pensé que ça voulait aussi dire rempoter des violettes pourtant tu parles anglais. \n\n\n\nSur une proposition d’Emma Passera @emmapassera \, commissaire associée à la filière «Artistes & Métiers de l’exposition » avec Anousha Mohtachmi @the_biggest_swamp_ever et Clara Midon @nodimc\, étudiantes de la filière.Artistes présentés : \n\n\n\nAvec :Sofia Bonilla @sofiboniMimosa Echard @mimosaechardVictor Gogly @victor_goglyLucas Hadjam @lucashadjamDylan Maquet @dylan_maquetClara Midon @nodimcInès Cherifi @_inescherifiAnousha Mohtashami @the_biggest_swamp_everWinnie Mo Rielly @winniemoriellyFrancisco G.Pinzon Samper @sanfranciscodebogotaSequoia Scavullo @sequoiaroze \n\n\n\nAffiche @sanfranciscodebogota \n\n\n\nL’objet éditorial sous la plume de @sofiboni URL:https://expo156.com/event/a-single-violet-transplant/ LOCATION:Palais des Beaux-Arts\, 13 Rue Malaquais\, Paris\, 75006\, France ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2022/02/A-SINGLE-VIOLET-TRANSPLANT-VISUAL.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20220128T000000 DTEND;TZID=UTC:20220226T235959 DTSTAMP:20260426T011838 CREATED:20220210T204454Z LAST-MODIFIED:20220210T204455Z UID:2921-1643328000-1645919999@expo156.com SUMMARY:Holly Birtles + Natalia Janula - Mother Lode DESCRIPTION:It goes off—like a pop\, like a laugh\, a sneeze; like an orgasm; like a little explosion\, an overflow. Its telling says\, I am here.” – Susan Sontag\, The Volcano Lover \n\n\n\nWe were all somewhere once.Present in the rawest form of time.The kind that rushes in.And leaves you gently swaying.You fool! You’ve been had.There really can be no forecasting for a somewhere.And once it’s passed\, everything in its wake is a sorry souvenir.A reflection. A husk.A ‘new memory for you\, today’.Backed up onto a stony cold drive.When I told my story\, I sold it away. Did I make it clearer or did I make fade?We can’t help it\, we instantly fossilise our somewheres\, just like we fossilise our special someones. It’s human to archive and catalogue.How do you store your somewheres?Perhaps they are perfectly flattened\, ordered chronologically in a filing cabinet; each one leading neatly onto the next.Maybe you privately worship yours at a secret shrine. Precious symbols that mean nothing but something to you.Could they be sucked in tight? A vacuumed packed piece of supermarket meat can’t possibly breathe or it might spoil for good.I’ll admit that some of mine are… off-shore.So far away in fact\, that I couldn’t tell you how to get there. I must have misplaced the map.A somewhere that was too much. Too volatile for the mind of a child to work out.An eruption with no warning. Olympian lava meets cold sea. Nowhere to run\, nowhere to hide (baby).This somewhere formed its own island without me.An immaculate preservation under a shining shell that won’t move for centuries.What happens in that somewhere now\, is anyone’s telling. \n\n\n\nMother Lode is the first duo presentation of artists Holly Birtles and Natalia Janula at Xxijra Hii.The photographic pieces in Mother Lode are taken from Birtles’ recent body of work titled Volcano Mother\, where the artist has staged performances and props intended to reflect various volcanos on Mother Earth’s surface. As well as exploring the limitations of the photographic process\, Birtles also seeks to frustrate viewers with tactile textures and props in her flattened images.The mixed media assemblages on display are a continuation of Janula’s practice\, and her exploration of the female body\, natural world and material phenomenology. Employing materials between the organic and synthetic\, such as latex\, sandstone\, Jesmonite and found objects\, Janula simulates entities whose physiologies include both technological and biological components.In bringing together these two artistic practices\, audiences are invited to further consider their placement and agency within the wider ecosystem and landscape that we are privileged to call home. \n\n\n\nText by Georgia Stephenson URL:https://expo156.com/event/holly-birtles-natalia-janula-mother-lode/ LOCATION:Xxijra Hii\, Enclave 4\, 50 Resolution Way\, London\, SE8 4AL\, United Kingdom ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2022/02/273279843_386505313281124_2513309427864841362_n.jpg ORGANIZER;CN="Xxijra Hii":MAILTO:info@xxijrahii.net END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20220115T000000 DTEND;TZID=Europe/Paris:20220115T235959 DTSTAMP:20260426T011838 CREATED:20220111T213017Z LAST-MODIFIED:20220111T213017Z UID:2755-1642204800-1642291199@expo156.com SUMMARY:Kammerflimmern DESCRIPTION:On the 15th of January\, from 7PM (GMT+1) until late\, a number of artists and collectives will be repurposing the Heizhaus\, an empty former-industrial building in Nuremberg\, Germany for a public projection mapped screening. ArtSect Gallery will be collaborating with Digi.gxl\, Digitalax\, Immersive Kind\, Jess Conatser\, and Gabriel Maria Platt to organise this experiment in urban art\, which aims to reclaim use of the second largest empty building in Germany. The building was chosen due to its size and historical significance to Nuremberg’s industrial past. The location has attracted attention from local artist communities\, who have seized the opportunity to repurpose the building into a creative hub.We will be displaying the work of 29 digital artists including Kadine James\, founder of Immersive Kind\, and Jess Conatser founder of Studio As We Are. The event will also feature talks with artists and curators which will be streamed online\, details of the talks will be shared shortly.@a_n0ne_000 @maria_agureeva_studio @whosthereplease @balfua @danielbarretoes @ben_coiacetto @louquai @dominiquecro @bendawson110 @sianfan @einar_zuviel @gravitythestudio @phoebe_heess_official @benheim_ @lornainmanart @immersivekind @zongbo.jiang @hello_levesque @profyaya_ @nicomures @non.collective @studioaboveandbelow @sashastiles @abisheng @iv.em.sv @tabithaswanson_ @miss__sammie @scarlettyang_ @404.zero @jessconatser @_digitalax @digi.gxl URL:https://expo156.com/event/kammerflimmern/ LOCATION:Heizhaus\, Wandererstraße 89\, Nürnberg\, 90431\, Germany ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2022/01/271547040_1274079829758659_4374498869958130635_n.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20220114T000000 DTEND;TZID=UTC:20220220T235959 DTSTAMP:20260426T011838 CREATED:20220117T110113Z LAST-MODIFIED:20220117T110356Z UID:2775-1642118400-1645401599@expo156.com SUMMARY:Amy Brener - Pinnacles DESCRIPTION:Vase. Orb. Diadem. Globe. Shield. Sculpture. \n\n\n\nHandle. Bracket. Packet. Capsule. Trinket. Tread. Kit. \n\n\n\nAmy Brener’s “Pinnacles” would suggest we had reached some summit\, and from there\, might have a view. \n\n\n\nLook around\, survey. \n\n\n\nA procession of single-colored objects in double file\, poised on the floor and adorning the walls—lead us to a polychrome “altar\,” less stable in shape than its acolytes. Beyond\, a stair to a basement; two hanging “garments” dressing this lower room. Not for us\, already embodied\, self-embodied\, wearing themselves\, disembodied\, captured angels? \n\n\n\nThese sculptures\, mostly titled Omni-Kits and Flexi-Shields\, could be called vestments\, furniture\, and architectural ornaments; assembled\, in efficient rows\, for catalog in a museum’s decorative arts reliquary. But the aesthetic reads more Polly Pocket than Antique Roadshow. Nostalgias are conflated\, and the familiar becomes strange. Egg tray wheels serve up deviled auto fuses. Cheap plastic peace signs float\, as offerings\, to the surface of breast-like molds. Binding braids and twists of yarn trace the edges of pierced orbs\, like flotsam encrusting the shore. In Brener’s world\, things glide contrary to our acculturated codes and expectations\, merely passing\, like a father’s blessing\, for meanings we can take for granted. \n\n\n\nArrested in candy-colored gypsums\, resins and silicones\, these symmetrical\, patterned\, and bound forms appear to serve a devotional or memorial purpose. Yet they embody a contradiction: What we care about and how we care for it is suffused with stuff that we don’t give a shit for and that will outlast us all. Within these works is a delicate accounting of the sorts of things we wouldn’t care to tally: Flossers\, screws\, pills\, buttons\, tic-tacs and wall tacks\, paper clips\, disposable pens and knives; a medicine cabinet\, junk drawer\, 99-cent garden of knicks and knacks; treasure eggs\, baking molds\, floor mats\, and multi-packs. In contrast\, her father’s face\, in miniature and at scale\, eyes closed. All these objects ossify into neat rows\, tapping out a code of daily ablutions. We’re not atop a mountain nor even a turreted roof\, but within a kaleidoscope of daily make and making. Embedding becomes an act of turning definitions\, positions\, and values inside-out. \n\n\n\nThe central work\, Pinnacle\, is the elder\, and a literal accretion. Amassed in the early lonely lock-down of the pandemic\, it’s a trippy-drippy conglomerate of all the materials left in exile; a packing up\, a sweeping out; the last urgent deformation made in a studio soon to be vacated; a singular friend. It sports transparent teat-like protuberances down its front\, large smooth ovum stuffed with new and tiny doodads. On the contrary\, the hard surface harboring these vacuoles is secreted and oozing in texture. A miniaturized mold of Brener’s late father’s face plays throughout Pinnacle’s lumpy contours—his visage\, in fact\, dapples all the works—replicating notions of genes and gender. Move around to the back of Pinnacle and any logic to the garish accumulation falls away. Here is the messy slough of our beloved rituals and humans. The warmth of the kitchen sink after doing the dishes. The generative mycelium that transubstantiates the mundane. \n\n\n\nI am for an art that is combed down\, that is hung from each ear\, that is laid on the lips and under the eyes\, that is shaved from the legs\, that is brushed on the teeth\, that is fixed on the thighs\, that is slipped on the foot. \n\n\n\nBrener stocks our precious Named with the inscrutable no-brand repetition of the throwaway\, the won’t-last-another-day\, and the never-going-to-go-away. Our reverences are tumbled\, in a great racket\, and polished to reflect. Shapes simultaneously holding and dispersing shapes. The most fleeting of twitches captured forever in the grooves of a beloved face.  \n\n\n\n-Gabriela Salazar  URL:https://expo156.com/event/amy-brener-pinnacles/ LOCATION:Jack Barrett\, 89 Franklin Street\, New York\, New York\, 10013\, United States ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2022/01/BlueFlexi-min.2.jpg ORGANIZER;CN="Jack Barrett":MAILTO:info@jackbarrettgallery.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Asia/Tokyo:20220107T150000 DTEND;TZID=Asia/Tokyo:20220116T190000 DTSTAMP:20260426T011838 CREATED:20220106T160533Z LAST-MODIFIED:20220107T100328Z UID:2718-1641567600-1642359600@expo156.com SUMMARY:Konomad pop up exhibition vol.3[自然界のドラマ] ‘The Drama of Nature’ DESCRIPTION:You can come and buy amazing art\, posters\, books\, mask\, photo prints\, ceramics and fancy also we will have a wide selection of @_yueqiqi 愛♡and 龍🐉jewelryAnd some other curious things by artists !!! All one-off unique pieces @konomadinc GREAT and UNIQUE piEces by artists available for sale. \n\n\n\nFri. 7 – Sun 16 JanuaryOPEN 15:00-19:00Irregularly day off sometimes ❣️😗 \n\n\n\nContributors:@hallofstars@e__n__d__@h_.6.2@_yueqiqi@lenashockley@flotsambooks@a1jewel0310@__hannahlim__@tomikono_wig@sayaka_maruyama_artwork \n\n\n\nCurated @konomadinc \n\n\n\nGraphic /typography @sayaka_maruyama_ URL:https://expo156.com/event/konomad-pop-up-exhibition-vol-3%e8%87%aa%e7%84%b6%e7%95%8c%e3%81%ae%e3%83%89%e3%83%a9%e3%83%9e-the-drama-of-nature/ LOCATION:Konomad\, 4 Chome-6-6 Ebara\, Shinagawa City\, Tokyo\, 142-0063\, Japan ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2022/01/5893306801324831472.jpg ORGANIZER;CN="Konomad":MAILTO:konomadinc@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220107T000000 DTEND;TZID=America/New_York:20220219T235959 DTSTAMP:20260426T011838 CREATED:20220109T165329Z LAST-MODIFIED:20220117T110524Z UID:2736-1641513600-1645315199@expo156.com SUMMARY:ASMA - Vain Kisses to the Source DESCRIPTION:And now they were preparing the funeral pile\, the brandished torches and the bier; but his body was nowhere to be found. In place of his body they find a flower\, its yellow centre girt with white petals.”– Ovid\, The Metamorphoses \n\n\n\nAn end is perhaps a way of beginning\, or rather connecting a space between what once was and what could be.What if the process of transformation was not a finite act\, but a state of becoming? A space where one could hold within themselves the multiplicity of both the before and the after\, not simply a state of transition\, but rather a saturation of the self in all its variable forms? \n\n\n\nThe title of this exhibition\, Vain Kisses to the Source\, is drawn from the classical myth of Narcissus\, which tells the story of a youth who\, having grown enamored with his own image\, dies for being unable to possess the object of his affection. The reflective pool\, within which Narcissus perceives himself\, appears in the text’s Spanish translation as fuente—meaning at once: fountain\, font\, or source. As translation too\, may be taken as a form of metamorphosis\, this more capacious definition allows this encounter to be both an act of self-reflection and a connection to some larger entity. Through this reading\, knowing oneself becomes an essential act of belonging\, of place-making between worlds. \n\n\n\nAttending to this space of in-betweenness\, the works in this exhibition open the possibility of existing between dualities or states of difference\, through both conceptual and material means. Paintings emerge through careful layers of soft silicone\, hinting at the suppleness of flesh through the veil of a synthetic skin\, bruised or blushing with an internal glow. Sculptures of cast bronze filigree trace torsos and ripening fruit\, at once fragile and rigid\, hybrids between nature and device. The fragmented body decays\, reforms\, takes old and new articulations—breathes life into itself. \n\n\n\nIn this space\, one can take in the complexity of contradiction and imagine an expanded futurity beyondhegemonic worldviews and boundaries. A world in which the nymph and the cyborg conjoin\, entangle their locks and their wires in grief or rapture\, fluid between the ancient and the modern. \n\n\n\nPerhaps an end is a way of beginning\, or rather connecting what once was and what could be. Where past and present selves brush lips and embrace\, and new forms grow forth.– ЯK \n\n\n\n*** \n\n\n\nASMA is an artist duo based in Mexico City\, formed by Matias Armendaris (Ecuador\, b. 1990) and Hanya Beliá (México\, b. 1994). The duo focuses on developing work produced exclusively through active collaboration. Their work uses open narratives and architectural spaces exploring formal interrelations between painterly and sculptural expressions. In their collaborative process\, they explore the act of interaction and how things in contact start affecting each other. In this interrelation\, things start erasing their boundaries and begin to fuse\, they play with the potential of this process of transformation\, both formally and conceptually. \n\n\n\nRecent solo exhibitions include Vermin Gloom at Projet Pangee\, Montreal\, CA; Janus presented at Embajada (San Juan\, Puerto Rico)\, 2020; Half Blood Princess\, Peana\, (Monterrey\, Mexico)\, 2019; and Blossoming Carcass\, Make Room Gallery (Los Angeles\, USA)\, 2019. The duo also participated in multiple group exhibitions such as Trama\, 80m2LiviaBenavides (Lima\, Perú)\, 2021; Theorem X\, Rachel Uffner Gallery (New York\, USA)\, 2021; Theorem Y\, Mrs. Gallery (New York\, USA)\, 2021; You sit in a Garden\, Centre Clark (Montreal\, Canada)\, 2021; and 44 Signs of The Time\, Mana Contemporary (New Jersey\, USA)\, 2021. \n\n\n\n*** \n\n\n\nOpen Tuesday through Saturdayfrom 11am to 6pm(masks and social distancing guidelines will be strictly followed) URL:https://expo156.com/event/asma-vain-kisses-to-the-source/ LOCATION:Deli Gallery\, 36 White Street\, New York\, New York\, 10013\, United States ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2022/01/DeliGallery_ASMA_Onlyalittlewater_002.jpg ORGANIZER;CN="Deli Gallery":MAILTO:deli@deligallery.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Paris:20220107T000000 DTEND;TZID=Europe/Paris:20220129T235959 DTSTAMP:20260426T011838 CREATED:20220105T120733Z LAST-MODIFIED:20220127T212520Z UID:2704-1641513600-1643500799@expo156.com SUMMARY:WHAT GOES AROUND COMES BACK AROUND DESCRIPTION:WHAT GOES AROUND COMES BACK AROUND\, a duo exhibitionw/ Camille Soulat & Naïa Combary\, curated by Myriam Mokdes at VOITURE 14 \n\n\n\nOpening January 76pm – 10 pm \n\n\n\nElectro-acoustic Ambient live w/ Rgz cp & Rubie \n\n\n\nThe finissage will be held on January 29 with a piano live by Pablo Altar \n\n\n\n⭑ \n\n\n\nLe duo nous plonge dans la nostalgie et l’intensité des premières fois à travers l’ambivalence des émotions qui nous habitent et des limites à dépasser pour se construire tel qu’on est. Le refrain d’une chanson pop qu’on écoute encore\, un souvenir qui se répète\, et toutes ces expériences vécues dont on parcourt à présent les effets.Entre magie et réalité virtuelle\, l’exposition WHAT GOES AROUND COMES BACK AROUND explore ces âges vulnérables et les interfaces rituelles avec lesquelles ils communiquent. \n\n\n\n⭑ \n\n\n\nCamille Soulat grandit à Montluçon\, autodidacte elle utilise des médiums comme la peinture numérique\, l’écriture et l’installation vidéo.Sa pratique s’articule autour d’une forme intime de narration. Elle se concentre sur des sujets et des scènes nostalgiques avec des nuances super/naturelles. Intéressée par des notions telles que la marginalité\, la culture geek\, les avatars\, elle oriente sa pratique autour d’une interprétation et d’une célébration des codes associés à la fois à la culture pop et à la contre-culture. \n\n\n\n⭑ \n\n\n\nNaïa Combary est une réalisatrice et une artiste pluridisciplinaire diplômée des Arts Décoratifs de Paris. Son travail consiste à faire de la magie à travers divers médiums\, elle explore des notions comme le rituel\, la spiritualité\, le rapport au temps et aux éléments. En mélangeant des techniques de retouches graphiques à ses prises de vue\, elle propose des images aux allures d’énigmes et d’hallucinations. URL:https://expo156.com/event/what-goes-around-comes-back-around/ LOCATION:Voiture 14\, 14 Rue des Héros\, Marseille\, 13001\, France ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2022/01/5dbf56_f0be8dfcc7f04e5e99bb780e8163a83f_mv2-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20211210T000000 DTEND;TZID=UTC:20220210T235959 DTSTAMP:20260426T011838 CREATED:20211209T184016Z LAST-MODIFIED:20220114T163545Z UID:2680-1639094400-1644537599@expo156.com SUMMARY:Trolling The Sneaky Kingdom DESCRIPTION:« Many idealize civilization without technological intervention\, while at the same time presented not as a return and nostalgia\, but as a possible idyllic future… » \n\n\n\nCurated by Katya Quel Elizarova \n\n\n\nCome and discover works by amazing Artists : Aëla Maï Cabel\, Tristan Gac\, Vincent Caroff\, Katya Quel Elizarova\, Naomi Gilon\, Gaspard Hers\, Juliette Jaffeux\, Tommy Lhomme\, Llyazel \n\n\n\n 🔮 Opening 10-12-2021 🔮 \n\n\n\nOpen by appointment URL:https://expo156.com/event/trolling-the-sneaky-kingdom/ LOCATION:Normaal Gallery Brussels\, Av. des Villas 55A\, Saint Gilles\, 1060\, Belgium ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2021/12/255535112_235033805235214_3070964577695988005_n.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20211204T000000 DTEND;TZID=UTC:20211205T235959 DTSTAMP:20260426T011838 CREATED:20211201T124015Z LAST-MODIFIED:20211201T124144Z UID:2610-1638576000-1638748799@expo156.com SUMMARY:Murmurs: Tom of Finland Art & Culture Festival DESCRIPTION:Stop by on 12/4 & 12/5 to witness the collective creativity of dozens of artists\, galleries\, performers and visit our gallery booth featuring new artwork by Ruben Ulises Rodriguez Montoya\, Grace Wardlaw & Emily Lucid . \n\n\n\nPlus\, Sunday afternoon performances:🔸Petal by Sebastian Hernández 🔸“I sometimes wish humans were more logical like robots. I sometimes wish robots were emotional like people” by Emily Lucid and Gosia Wojas 🔸NURSERY by Austyn RichTickets & more information available here URL:https://expo156.com/event/murmurs-tom-of-finland-art-culture-festival/ LOCATION:Second Home Hollywood\, 1370 N St. Andrews Place\, Los Angeles\, California\, 90028\, United States ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2021/11/262108038_167883848840671_8878415584189381845_n.jpg ORGANIZER;CN="Murmurs":MAILTO:info@murmurs.la END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20211201T000000 DTEND;TZID=UTC:20211204T235959 DTSTAMP:20260426T011838 CREATED:20211201T121828Z LAST-MODIFIED:20211201T121948Z UID:2601-1638316800-1638662399@expo156.com SUMMARY:SKINSWEAR POP-UP - Salomé Chatriot DESCRIPTION:Breathing performance by Salomé Chatriot on December 4\, from 6 to 10pm URL:https://expo156.com/event/skinswear-pop-up/ LOCATION:New Galerie\, 2 rue Borda\, Paris\, 75003\, France ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2021/11/1638309581004.2.jpg ORGANIZER;CN="New Galerie":MAILTO:info@newgalerie.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20211111T000000 DTEND;TZID=UTC:20220710T235959 DTSTAMP:20260426T011838 CREATED:20211111T141717Z LAST-MODIFIED:20211111T141718Z UID:2531-1636588800-1657497599@expo156.com SUMMARY:Post-digital Intimacy DESCRIPTION:The touchscreen is what we hold in our hand most often and usually the first thing we reach for right after waking up. Technology and intimacy\, two traditionally antithetical areas\, are nowadays interconnected\, both having transformed each other. In the everyday\, technology has infiltrated our privacy. It has become the object of our notion and desire\, our interlocutor and crutch\, but also a dangerous confidant.The exhibition deals with how\, after a virtual experience\, further emphasized by a pandemic situation\, the concept of our privacy and intimacy has changed and what effect it has on our close relationships. Through the work of nine young artists\, it questions whether further development is bound for the likes of dystopian sci-fi or whether virtual interconnectedness can actually help us solve some of the burning issues of the world today. \n\n\n\nNine contemporary artists – Darja Bajagić\, Ivana Bašić\, Louisa Gagliardi\, Lola Gonzàlez\, Daiga Grantina\, Rachel Maclean\, Pakui Hardware\, Viktor Timofeev and Tenant of Culture – will give you an insight into the nebulous visions of closeness in the post-digital world. \n\n\n\nTrade Fair Palace\, mezzaninCurator: Michal Novotný \n\n\n\n\n\n\n\nPoster by Simon Kounovsky URL:https://expo156.com/event/post-digital-intimacy/ LOCATION:National Gallery Prague – Trade Fair Palace\, Dukelských Hrdinů 47\, Praha\, 170 00\, Czech Republic ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2021/11/255411813_1244663769366141_4755878934369283053_n.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20211111T000000 DTEND;TZID=UTC:20211126T235959 DTSTAMP:20260426T011838 CREATED:20211111T135132Z LAST-MODIFIED:20211111T135933Z UID:2520-1636588800-1637971199@expo156.com SUMMARY:THE EDGE EFFECT DESCRIPTION:In the world of ecology\, an ecotone is a transitional area where two different ecosystems meet\, mix and merge. The effect of this mix is an increase in biodiversity\, as well as the density and uniqueness of organisms\, and the mutual influence between the two ecosystems is called the “edge effect”. \n\n\n\nThis is the perfect metaphor of what is happening throughout society as it pertains to our perceptions and ideas of identity. While the tension between localism and globalization\, between a virtual existence without borders or frontiers and an increasingly fragmented social and political reality is radicalized\, the artistic practice is increasingly becoming a place and space to reflect on the concept of belonging and its varying definitions. \n\n\n\nThe artists on display\, each in their own way\, showcase many variations of contemporary Italian identity. Some do it from an exquisitely biographical point of view\, others through a visual dialogue\, while others write their stories by way of an exploration of fashion or digital art. All however\, through their work\, manage to bring to life a new idea of what it means to be Italian: a fluid idea in constant change\, distant from hollywood stereotypes or standardizations\, creating new dialogue and challenging the idea of tradition. \n\n\n\nCurated by Chiara Bardelli-Nonino and Jordan Anderson \n\n\n\nArtists:⁠Kelly Costigliolo ⁠Elena Cremona + Isabelle Landicho ⁠Karim El Maktafi ⁠Jon Emmony x Del Core ⁠Sam Gregg + Riccardo Maria Chiacchio ⁠Kamilia Kard ⁠Rachele Maistrello ⁠Andy Picci ⁠Vashish Soobah ⁠Karol Sudolski ⁠Marzio Emilio Villa ⁠Alba Zari⁠⁠The show will be on view\, by appointment only\, from November 11th to November 26th\, 2021\, at via Paullo 12/A venue.⁠ URL:https://expo156.com/event/the-edge-effect/ LOCATION:Marsèll\, Via Paullo\, 12\,\, Milano MI\, 20135\, Italy ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2021/11/254997725_120255770441204_637456451895665119_n.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20211106T000000 DTEND;TZID=UTC:20211127T235959 DTSTAMP:20260426T011838 CREATED:20211105T145731Z LAST-MODIFIED:20211105T151959Z UID:2489-1636156800-1638057599@expo156.com SUMMARY:Exposition de l'artiste TremensS et ateliers DESCRIPTION:Du samedi 6 au samedi 27 novembre\n\n\n\nDe 14h à 18h les mercredis et samedis : exposition de l’artiste TremensS dans le cadre des micros-festivals en partenariat avec La Vilette. \n\n\n\nL’inscription est obligatoire à micro.folie@saintgermainenlaye.fr  \n\n\n\n\n\n\n\nMercredi 10 novembre\n\n\n\nDe 14h à 16h30 : atelier de création d’un jeu collaboratif en Réalité augmentée.\n\n\n\nLa Réalité augmentée consiste à superposer en temps-réel des éléments virtuels à la vidéo d’un smartphone\, d’une webcam\, d’une caméra… Aujourd’hui\, on l’utilise pour réaliser des jeux vidéos\, des filtres et masques 3D pour les réseaux sociaux ou la mode digitale\, mais aussi des concerts virtuels ou même des cours interactifs.Venez découvrir et comprendre les technologies derrière ces expériences autour de démonstrations interactives\, et participez au développement en direct d’un mini-jeu collaboratif en Réalité augmentée sur le grand écran de la Micro-Folie. La programmation sera également l’occasion d’aborder des concepts logiques et algorithmiques simples\, au fur et à mesure de l’élaboration du code par l’animateur.La séance sera ponctuée de temps de jeu\, tous ensemble\, pendant et au terme du prototypage. \n\n\n\nL’inscription est obligatoire à micro.folie@saintgermainenlaye.fr 10 participants maximum – À partir de 12 ans \n\n\n\n\n\n\n\nMercredi 17 novembre\n\n\n\nDe 14h à 16h30 : atelier de création d’un masque en Réalité augmentée.\n\n\n\nLa Réalité augmentée a conquis la plupart des applications photo et réseaux sociaux avec la grande tendance des filtres et effets 3D\, directement via la caméra de son smartphone. Cet atelier propose un petit tour d’horizon des applications de la Réalité augmentée et une initiation à leur fonctionnement autour de démonstrations ludiques et interactives (jeu vidéo\, filtres photo\, mode digitale…)Comme application pratique\, nous customiserons un masque en plastique puis reproduirons notre coloriage sur un logiciel de dessin numérique en préparation de sa déclinaison virtuelle. Nous intégrerons ensuite le résultat de chacun dans une application interactive via une webcam ou la caméra de son smartphone.L’inscription est obligatoire à micro.folie@saintgermainenlaye.fr 10 participants maximum – À partir de 8 ans \n\n\n\n\n\n\n\nSamedi 20 novembre\n\n\n\nDe 14h30 à 16h30 : conférence: l’Intelligence artificielle\, un nouveau collaborateur pour les disciplines créatives.\n\n\n\nSi le Machine learning et l’Intelligence artificielle sont utilisés dans des contextes industriels depuis les années 1980\, l’explosion du « Deep Learning » dans les années 2000 et l’accès du grand public à des machines de plus en plus performantes et abordables ont mené à une vive effervescence de ses applications artistiques : génération de photos et d’images ultra-réalistes\, improvisation musicale et synthèse sonore\, génération de textes… Cette présentation propose un état de l’art des technologies à disposition des artistes\, et un tour d’horizon de projets transdisciplinaires: musique live\, sound design\, arts visuels\, littérature\, danse…Une introduction accessible présentera dans des mots simples le fonctionnement de plusieurs architectures classiques d’Intelligence artificielle\, ponctuée de démonstrations pratiques et interactives.L’échange sera aussi l’occasion de détailler le proccess de réalisation d’œuvres de l’exposition de TremensS\, à la Micro-Folie du 6 au 27 novembre.L’inscription est obligatoire à micro.folie@saintgermainenlaye.fr À partir de 12 ans \n\n\n\n\n\n\n\nMercredi 24 novembre\n\n\n\nDe 14h à 16h30 : atelier initiation au 3D Make-up : création d’un filtre Snapchat en Réalité augmentée.\n\n\n\nLa Réalité augmentée\, les filtres et masques 3D sur les réseaux sociaux ont propulsé la mode digitale comme une nouvelle discipline créative à part entière\, entre haute-couture\, maquillage\, et essayages virtuels. Après un état de l’art des nouvelles tendances de ces jeunes créatrices / créateurs numériques\, et des démonstrations interactives présentant les technologies derrière la Réalité augmentée\, nous réaliserons ensemble un filtre 3D pour Snapchat pour s’initier au 3D Make-up (maquillage 3D).Un compte Snapchat n’est pas nécessaire mais permettra de charger votre création directement sur le compte de votre smartphone.L’inscription est obligatoire à micro.folie@saintgermainenlaye.fr 10 participants maximum – À partir de 12 ans \n\n\n\n\n\n\n\nCrédit Visuel : TremensS URL:https://expo156.com/event/exposition-de-lartiste-tremenss-et-ateliers/ LOCATION:Micro-Folie\, 1 place des Rotondes\,\, Saint-Germain-en-Laye\, 78100\, France ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2021/11/img33.2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Moscow:20211105T170000 DTEND;TZID=Europe/Moscow:20211108T170000 DTSTAMP:20260426T011838 CREATED:20211029T114512Z LAST-MODIFIED:20211029T114514Z UID:2462-1636131600-1636390800@expo156.com SUMMARY:The Offspring - Sara Blosseville DESCRIPTION:Solo show by Sara Blosseville at Taiteilijatalo Gjutars in Vantaa \n\n\n\nThere will be the coming together of my recent collecting when wandering around in the woods and online ➰ things that have been simmering for a while and that I want to share with you ♥︎ Sara Blosseville \n\n\n\n\n\n\n\n\n\nImage credit : Sara Blosseville + font by Clara Sambot URL:https://expo156.com/event/the-offspring-sara-blosseville/ LOCATION:Taiteilijatalo Gjutars\, Avoinna sopimuksen mukaan\, Vantaa\, 01300\, Finland ATTACH;FMTTYPE=image/jpeg:https://expo156.com/wp-content/uploads/2021/10/1635505753313.2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20211105T000000 DTEND;TZID=UTC:20211130T235959 DTSTAMP:20260426T011838 CREATED:20211025T111522Z LAST-MODIFIED:20211029T115620Z UID:2431-1636070400-1638316799@expo156.com SUMMARY:AUGMENTED SPECIES - Invasive Sculptures in Hybrid Ecologies DESCRIPTION:Works by Sofia Crespo & Feileacan McCormick\, Carla Gannis\, Joanna Hoffmann\, Tamiko Thiel \n\n\n\nCurated by Tina Sauerlaender and Ursula Ströbele \n\n\n\nOrganized and developed by MoMAR (Damjanski\, David Lobser\, Monique Baltzer\, Vicky Leung) \n\n\n\nAn unauthorized international Touring Exhibition of AR sculptures in Museums and Sculptural Gardens worldwide.The relationship between the arts and what has been called ‘nature‘ as a historic\, cultural and scientific concept\, has undergone some major shifts. Various theories of post-(human)nature and eco-fiction have become more and more influential during the last decades as is well-known. The term ‘nature‘ itself has been called into question. Ecological theorists\, such as Timothy Morton think that we actually live in a post-natural age\, proclaiming ecology without nature. Donna Haraway describes entangled multispecies histories\, using the term natureculture. These theories include new ways of thinking about established hierarchies\, agency and power\, as well as difference and ontology. Leaving behind established dualisms\, the exhibition Augmented Species. Invasive Sculptures in Hybrid Ecologies aims to present four contemporary artistic positions working in the field of sculpture\, cyber ecology\, and eco fiction: Sofia Crespo & Feileacan McCormick\, Carla Gannis\, Joanna Hoffmann\, and Tamiko Thiel. They all deal with new technologies and forms of display\, thus developing a site-specific sculptural aesthetics of the living\, along with expanded possibilities of the sculptural in the digital age. The concept of MoMAR\, an unauthorized non-profit gallery\, is to democratize physical exhibition spaces\, museums\, and the curation of art within them. The exhibition occupies prestigious museum spaces around the world to connect the concept of eco-fictional shifts to said spaces. This process reestablishes what is called the canon of (art) history while invading physical locations with today’s technological possibilities\, questioning institutions and their hierarchies\, structures and programmes. Read the full text here \n\n\n\nOpeningsNovember 5 to November 30: Open 24/7 globally! \n\n\n\nExhibition App>> Click here for the iOS version <<>> Click here for the Android version <