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« RAMAGES, une taxonomie sonore imaginaire » / Partie 1 : Les oiseaux rêvent-ils de paradis artificiels ?

on July 10, 2024September 28, 20240 Comment on « RAMAGES, une taxonomie sonore imaginaire » / Partie 1 : Les oiseaux rêvent-ils de paradis artificiels ?

La danse spirale de la cyborg et de la déesse

Déesses fossiles, une histoire transféministe du clitoris (II)

on April 8, 2024June 7, 2024

La danse spirale de la cyborg et de la déesse

Déesses fossiles, une histoire transféministe du clitoris (I)

on April 8, 2024April 10, 2024

La danse spirale de la cyborg et de la déesse

Interview avec Ϊan Larue – Partie deux, On dort bien le long de la terre

on September 9, 2022April 19, 2023

La danse spirale de la cyborg et de la déesse

Interview avec Ϊan Larue – Partie une, Libère-toi cyborg !

on July 13, 2022April 19, 2023

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🐤 INSTA 🐤

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🪶 @carolineplz and Swan #ramages #carolinepola

🪶 @carolineplz and Swan
#ramages #carolinepolachek #dang

🪶 Leonora Carrington, For the Man who did it la

🪶 Leonora Carrington, For the Man who did it last time will never do it now, 1957
via @leonoracarringtonestate
#ramages #leonoracarrington

🪶 Art by James Marsh for @talktalkband_ #ramag

🪶 Art by James Marsh for @talktalkband_
#ramages #jamesmarsh #talktalk

🐥 Detail from @bjork 's Utopia cover by @trueka

🐥 Detail from @bjork 's Utopia cover by @truekanda
#ramages #björk #jessekanda #doonkanda

🪶 Yokai Horrors from the 18th-19th Century Bake

🪶 Yokai Horrors from the 18th-19th Century Bakemono Zukushi “Monster” Scroll
1. Buraribi (ぶらり火) is a white, bird-like creature surrounded by ghostly flames.
2. Kami-kiri ("hair cutter" - 髪切) are known for sneaking up on people and cutting off their hair.
3. Daichiuchi (大地打) is a mallet-wielding monster with a bird-like face.

Via @publicdomainrev

#ramages #yokai

🐦 « The word nature and the word techno, is fo

🐦 « The word nature and the word techno, is for me the same word, except is past, or futur, and I have explained this to my friends by saying : « If you see a house in the mountain, a little cosy house, if the monkeys would look at this house, they would say « It was techno, it was the futur ». But for us now, we look at this mountain, and would say : « nature », you know. » So, I think, it’s really the same thing, it’s not a question if it’s man made or not man made, I think it’s more a question of, if you locate yourself in the right point between nature and techno, you are in now, and it’s a very… it change every day, and you have to be part of both, you can’t just be only techno, and you can’t be only nature, you have to be right in the middle, it’s very important. »

« Le mot nature et le mot techno sont pour moi le même mot, mais l’un est passé, l’autre futur. Je l’explique en disant. Prenez une maison dans la montagne, une petite maison. Des singes, en voyant cette maison, diraient : “C’est techno, c’est le futur.” Mais nous, nous dirions : “C’est la nature.” C’est la même chose, que ce soit fait par l’homme ou pas, là n’est pas la question. Entre la nature et la techno, on est dans le présent. Cela change tous les jours, on doit faire partir des deux, on ne peut pas être que techno, ou que nature. Il faut être entre les deux. C’est très important. »

@bjork in Tracks, ARTE, (1997)

#ramages #bjork

🐤 @bjork Utopia Bird Call Boxset by @mmparisdot

🐤 @bjork Utopia Bird Call Boxset by @mmparisdotcom
#ramages #björk #mmparisdotcom

🪈 Silly Symphony - Music Land directed by Wilfr

🪈 Silly Symphony - Music Land directed by Wilfred Jackson, 1935
#ramages #sillysymphony

🐦 Image from "Musiques Vertes" vinyl booklet, b

🐦 Image from "Musiques Vertes" vinyl booklet, by Jean-Yves Bosseur and the "Collectif Musique Verte"

The “Musiques Vertes” project began in South East France during the late 1970s, spearheaded by Christine Armengaud, who was investigating, via elderly people in the region, a long tradition of musical instruments made with organic materials and plants. With their help, she was able to construct 240 instruments, collected in her book “Musiques Vertes”, published in 1978 by Christine Bonneton éditeur, that had long been used for bird calls, dancing, toys of young shepherds and children, and much more, but had been lost to common usage following the First World War.

In 1980 the Direction de la Musique awarded the composer Jean-Yves Bosseur a grant to start a collective practice of music using the instrument constructed / reconstructed by Armengaud. Rather than working with professional musicians, he chose to use locals and children he encountered in Aix-en-Provence between 1981 and 1982. The album, Musiques Vertes, recorded by the legendary French ornithologist and wildlife field recordist Jean Claude Roché, is the result of hours of practice and recording by these players, in each case, within the album 11 musical excursions, utilizing a series of instructions or games set up by the composer in an attempt to create collective musical exchange, as well as a dialogic exchange between this practice and active listening within a natural environment.

#ramages #musiquesvertes #jeanyvesbosseur #christinebonneton #jeanclauderoché

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