Events

Stop by on 12/4 & 12/5 to witness the collective creativity of dozens of artists, galleries, performers and visit our gallery booth featuring new artwork by Ruben Ulises Rodriguez Montoya, Grace Wardlaw & Emily Lucid . Plus, Sunday afternoon performances:🔸Petal by Sebastian Hernández 🔸“I sometimes wish humans were more logical like robots. I sometimes wish robots were emotional like people” by Emily Lucid and Gosia Wojas 🔸NURSERY by Austyn RichTickets & more information available here

« Many idealize civilization without technological intervention, while at the same time presented not as a return and nostalgia, but as a possible idyllic future… » Curated by Katya Quel Elizarova Come and discover works by amazing Artists : Aëla Maï Cabel, Tristan Gac, Vincent Caroff, Katya Quel Elizarova, Naomi Gilon, Gaspard Hers, Juliette Jaffeux, Tommy Lhomme, Llyazel 🔮 Opening 10-12-2021 🔮 Open by appointment

WHAT GOES AROUND COMES BACK AROUND, a duo exhibitionw/ Camille Soulat & Naïa Combary, curated by Myriam Mokdes at VOITURE 14 Opening January 76pm - 10 pm Electro-acoustic Ambient live w/ Rgz cp & Rubie The finissage will be held on January 29 with a piano live by Pablo Altar ⭑ Le duo nous plonge dans la nostalgie et l'intensité des premières fois à travers l'ambivalence des émotions qui nous habitent et des limites à dépasser pour se construire tel qu'on est. Le refrain d'une chanson pop qu'on écoute encore, un souvenir qui se répète, et toutes ces expériences vécues …

And now they were preparing the funeral pile, the brandished torches and the bier; but his body was nowhere to be found. In place of his body they find a flower, its yellow centre girt with white petals.”- Ovid, The Metamorphoses An end is perhaps a way of beginning, or rather connecting a space between what once was and what could be.What if the process of transformation was not a finite act, but a state of becoming? A space where one could hold within themselves the multiplicity of both the before and the after, not simply a state of transition, …

You can come and buy amazing art, posters, books, mask, photo prints, ceramics and fancy also we will have a wide selection of @_yueqiqi 愛♡and 龍🐉jewelryAnd some other curious things by artists !!! All one-off unique pieces @konomadinc GREAT and UNIQUE piEces by artists available for sale. Fri. 7 - Sun 16 JanuaryOPEN 15:00-19:00Irregularly day off sometimes ❣️😗 Contributors:@hallofstars@e__n__d__@h_.6.2@_yueqiqi@lenashockley@flotsambooks@a1jewel0310@__hannahlim__@tomikono_wig@sayaka_maruyama_artwork Curated @konomadinc Graphic /typography @sayaka_maruyama_

Vase. Orb. Diadem. Globe. Shield. Sculpture. Handle. Bracket. Packet. Capsule. Trinket. Tread. Kit. Amy Brener’s “Pinnacles” would suggest we had reached some summit, and from there, might have a view. Look around, survey. A procession of single-colored objects in double file, poised on the floor and adorning the walls—lead us to a polychrome “altar,” less stable in shape than its acolytes. Beyond, a stair to a basement; two hanging “garments” dressing this lower room. Not for us, already embodied, self-embodied, wearing themselves, disembodied, captured angels? These sculptures, mostly titled Omni-Kits and Flexi-Shields, could be called vestments, furniture, and architectural ornaments; …

On the 15th of January, from 7PM (GMT+1) until late, a number of artists and collectives will be repurposing the Heizhaus, an empty former-industrial building in Nuremberg, Germany for a public projection mapped screening. ArtSect Gallery will be collaborating with Digi.gxl, Digitalax, Immersive Kind, Jess Conatser, and Gabriel Maria Platt to organise this experiment in urban art, which aims to reclaim use of the second largest empty building in Germany. The building was chosen due to its size and historical significance to Nuremberg's industrial past. The location has attracted attention from local artist communities, who have seized the opportunity to …

It goes off—like a pop, like a laugh, a sneeze; like an orgasm; like a little explosion, an overflow. Its telling says, I am here."- Susan Sontag, The Volcano Lover We were all somewhere once.Present in the rawest form of time.The kind that rushes in.And leaves you gently swaying.You fool! You’ve been had.There really can be no forecasting for a somewhere.And once it’s passed, everything in its wake is a sorry souvenir.A reflection. A husk.A ‘new memory for you, today’.Backed up onto a stony cold drive.When I told my story, I sold it away. Did I make it clearer or …

Entre toi et moi, nous savons très bien que c’est une bien plus grande traversée du désert que celle que l’on nous porte à croire. Toi tu as planté un grand pré vénéneux, cerné de violet et de crachats au sol. Tu es aussi la mère de chaque fleur que l’on croise sur ce parterre contaminé. Lorsque je te demande pourquoi tu as choisi cette couleur, tu me réponds que ce n’est même pas une couleur primaire et que de ce fait cette couleur on ne la retrouve pas souvent dans la nature. Tu as choisi le violet car c’est …

𝗤𝘂𝗲𝗹𝗾𝘂𝗲 𝗰𝗵𝗼𝘀𝗲 𝘃𝗼𝘂𝘀 𝗿𝗲́𝘃𝗲𝗶𝗹𝗹𝗲 𝗹𝗮 𝗻𝘂𝗶𝘁, 𝗨𝗻𝗲 𝘀𝗶𝗹𝗵𝗼𝘂𝗲𝘁𝘁𝗲 𝗱𝗲 𝗠𝗮𝗹𝗶𝗻 𝗲𝘀𝘁 𝗮𝘂 𝗽𝗶𝗲𝗱 𝗱𝗲 𝘃𝗼𝘁𝗿𝗲 𝗹𝗶𝘁. 𝗨𝗻𝗲 𝗳𝗶𝗹𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗹𝘂𝗰𝗶𝗱𝗲 𝘃𝗼𝗶𝘁 𝗱𝗲𝘀 𝗹𝘂𝗺𝗶𝗲̀𝗿𝗲𝘀, 𝗗𝗲𝘀 𝗰𝗹𝗲́𝘀 𝗱𝗲́𝗹𝗶𝘃𝗿𝗲𝗻𝘁 𝗹𝗮 𝗽𝗮𝗿𝗼𝗹𝗲. 𝗗𝗲𝘀 𝗰𝗲𝗿𝗰𝗹𝗲𝘀 𝘀’𝗮𝗰𝘁𝗶𝘃𝗲𝗻𝘁, 𝗨𝗻 𝗰𝗼𝗹𝗹𝗶𝗲𝗿 𝘃𝗼𝘂𝘀 𝗽𝗿𝗼𝘁𝗲̀𝗴𝗲, 𝗗𝗲 𝗹𝗮 𝗳𝘂𝗺𝗲́𝗲 𝗰𝗵𝗮𝗻𝘁𝗲 𝗱𝘂 𝗕𝗿𝗶𝘁𝗻𝗲𝘆 𝗦𝗽𝗲𝗮𝗿𝘀. 𝗨𝗻𝗲 𝗳𝗼𝗻𝘁𝗮𝗶𝗻𝗲 𝘃𝗼𝘂𝘀 𝗳𝗮𝗶𝘁 𝘃𝗼𝘆𝗮𝗴𝗲𝗿 𝗱𝗮𝗻𝘀 𝗹𝗲 𝘁𝗲𝗺𝗽𝘀, 𝗡𝗼𝗻, 𝘃𝗼𝘂𝘀 𝗻𝗲 𝗱𝗼𝗿𝗺𝗲𝘇 𝗽𝗮𝘀   « 𝑁𝑎𝑖̈𝑎 𝐶𝑜𝑚𝑏𝑎𝑟𝑦 𝑒𝑠𝑡 𝑢𝑛𝑒 𝑟𝑒́𝑎𝑙𝑖𝑠𝑎𝑡𝑟𝑖𝑐𝑒 𝑒𝑡 𝑢𝑛𝑒 𝑎𝑟𝑡𝑖𝑠𝑡𝑒 𝑝𝑙𝑢𝑟𝑖𝑑𝑖𝑠𝑐𝑖𝑝𝑙𝑖𝑛𝑎𝑖𝑟𝑒 𝑑𝑖𝑝𝑙𝑜̂𝑚𝑒́𝑒 𝑑𝑒𝑠 𝐴𝑟𝑡𝑠 𝐷𝑒́𝑐𝑜𝑟𝑎𝑡𝑖𝑓𝑠 𝑑𝑒 𝑃𝑎𝑟𝑖𝑠. 𝑆𝑜𝑛 𝑡𝑟𝑎𝑣𝑎𝑖𝑙 𝑐𝑜𝑛𝑠𝑖𝑠𝑡𝑒 𝑎̀ 𝑓𝑎𝑖𝑟𝑒 𝑑𝑒 𝑙𝑎 𝑚𝑎𝑔𝑖𝑒 𝑎̀ 𝑡𝑟𝑎𝑣𝑒𝑟𝑠 𝑑𝑖𝑣𝑒𝑟𝑠 𝑚𝑒́𝑑𝑖𝑢𝑚𝑠; 𝑒𝑙𝑙𝑒 𝑒𝑥𝑝𝑙𝑜𝑟𝑒 𝑑𝑒𝑠 𝑛𝑜𝑡𝑖𝑜𝑛𝑠 𝑐𝑜𝑚𝑚𝑒 𝑙𝑒 𝑟𝑖𝑡𝑢𝑒𝑙, 𝑙𝑎 𝑠𝑝𝑖𝑟𝑖𝑡𝑢𝑎𝑙𝑖𝑡𝑒́, 𝑙𝑒 𝑟𝑎𝑝𝑝𝑜𝑟𝑡 𝑎𝑢 𝑡𝑒𝑚𝑝𝑠 𝑒𝑡 𝑎𝑢𝑥 𝑒́𝑙𝑒́𝑚𝑒𝑛𝑡𝑠.𝐿𝑒 𝑚𝑜𝑛𝑑𝑒 …

San Mei Gallery is pleased to present a new body of moving image and print-based works by Laila Majid and Louis Blue Newby. Their collaborative practice seeks to unlock a slippery and unbounded visual language, one that attempts to defy categorisation. The peripheral bodies and slimy liminal spaces present within their work signifies a rejection of the here and now and points towards the reimagined potential of the not yet.  At the core of this work is a reimagining of the comic hero Swamp Thing, here read as a vessel for envisaging new and radical modes of collectivity. The artists …

🚦Get ready for 6 hrs of music accross a wide electronic dance spectrum with the following wizards: 🤖 @jeanne_dnry knows how to trigger a riot in 4 tracks ! Inexhaustible digger of punches all generations included, she will take care of a closing without complex somewhere between Rai, Grime, Trance & Future Bass 🦝 @dj.funest 's research around massive percussions & loose breaks have conquered more than one floor in our regions. Find his latest appearance on the Bass Society show on Rinse France. 🔪Producer, DJ and founder of the collective, @agonsound multiplies sonic operations on radios like @rinsefrance@radiocampusparis or in venues like the @glazartparisHis Club Music sets can …

Dans la continuité du cycle “Matters of Concern | Matières à panser“, la Fondation d’entreprise Hermès et le commissaire Guillaume Désanges présentent « Tactiques du rêve augmenté », une exposition collective qui rassemble quinze artistes à La Verrière, espace bruxellois de la Fondation d’entreprise Hermès, du 28 avril au 25 juin 2022. L’exposition collective “Tactiques du rêve augmenté“ prolonge et dévie à la fois la réflexion écologique élargie entamée par le cycle “Matters of concern | Matières à panser“ à La Verrière depuis 2019, en l’emmenant du côté de la spéculation, de l’anticipation, de la science-fiction et des nouveaux récits, …

Artist : Floryan Varennes FR Plasticien et médiéviste français, Floryan Varennes est invité à présenter une installation au Pavillon Southway. À la source de sa réflexion et de sa pratique, il déconstruit et entrelace deux registres chronologiques opposés : l’histoire médiévale et les futurs science-fictionnels. Protego Maxima est une incantation qui préfigure ses dernières recherches sur la vulnérabilité, la violence, l’amour, l’attente mais aussi la guérison. EN French visual artist and medievalist Floryan Varennes has been invited to present an installation at the Southway Pavilion. At the source of his thinking and practice, he deconstructs and interweaves two opposing chronological …

Avec Marie-Sarah Adenis, Jean-François Krebs et Valentin Ranger La suite du cycle d’expositions LA CONSTRUCTION DU CHAMP se développe cette année en trois temps : saisir, agencer et réintégrer. Après LA MATIÈRE DU MONDE, la Galerie municipale Jean-Collet présente COSMOGONIAS Dans cette exposition, les artistes créent de nouveaux récits du monde. Ils réarticulent les narrations du possible, ouvrent des chemins et réactualisent les liens entre la matière et le vivant. Des énergies traversent et relient “l’autre” ; le désir et l’esprit mettent en relation des parties du réel jusqu’alors séparées, élargissant le champ du vivant et développant des écosystèmes. D’une …